魔镜咒
Davina Karamoy,Ully Triani,Randy Nidji,Eduward Manalu,Beby Evelyn,Dian Sidik,Syifa Aulia
台湾少年小狗(郭富城 饰)的父亲因向警方告密,使得台湾黑帮老大暂时被收监,等待起诉。为了安全起见,小狗来到了香港,并改名换姓入读了圣育强中学。谈判专家阿坚(张坚庭 饰)因谈判时常出错,被派到了圣育强中学当卧底老师,寻找小狗。阿坚来到圣育强中学,发现这里的学生都是些顽劣的问题少年,其中这里的学生领袖A士更是令人头疼。阿坚在学校认识了女教师梦想(张敏 饰),很快对她产生好感,这时,阿坚的女友女警阿卿(邱淑贞 饰)也来到了这里当卧底。应付顽劣学生尚且力不从心的阿坚,同时也面临着一场三角恋,学校里的爆笑场面不断。台湾黑帮老大终因证据不足被释放了,在杀死了小狗的父亲后,来到了香港准备小狗也干掉。面对台湾黑帮,阿坚最终能否顺利救下小狗?
Davina Karamoy,Ully Triani,Randy Nidji,Eduward Manalu,Beby Evelyn,Dian Sidik,Syifa Aulia
申贤俊,崔成国,权伍中,吴承贤,郑俊河,李汉伟,文元柱,卢宙铉,朴哲民,卓在勋,权五民
Aimee Auclair,Rebecca Bujko,Debra De Liso,Leigh Grace,Marek Graham,Michael Gregory,John F. Henry II,Erica Jenkins,Josh LaCount,Tim McCord,Shaun Ritter,Tom Simmons,Derek Thompson
Michael Gross,Shawn Christian,Charlotte Stewart,Susan Chuang
路易斯·乔丹,阿德里安娜·巴比欧,雷·怀斯
姜帝圭
陈凯歌
卡梅隆詹姆斯
陈凯歌
李瀚
罗伯特·奥特曼
罗伯特·奥特曼
郑洞天
艺术家戴夫,他的职业生涯,从来没有完成任何重要的作品。这次他造了一个迷宫,包含了幻想陷阱、诱杀装置,但不知何时,迷宫有了自己的生命,自行创造出多种机关怪物,甚至牛头怪。朋友们为了营救戴夫,进入折纸迷宫,大战机关和怪物,一场撕逼大战迫在眉睫……
Elia是一名心理医生,他和妻子分居隔壁的公寓,却又常常约会。因为血糖过高,医生建议痛恨健身房的Elia增加锻炼,他误打误撞结识了美丽却又不按常理出牌的私人教练Claudia,从此他平静的生活一去不复返……
陈文俊(洪金宝 饰)和张定其(张学友 饰)只是警队中的无名小卒,却在机缘巧合之下被指派到神探(姜大卫 饰)手下助其侦破“千面人”之案。没想到,一场意外中神探不幸丧生,可是,心愿未了的他显然不愿就此归去,而是化为冤魂,缠上了陈文俊和张定其两人,要他们破案为自己报仇。 神探威胁陈文俊,若不帮他报仇,就要破坏他和女友乔娜(王祖贤 饰)之间的姻缘。经不住神探的死缠烂打和卑鄙威胁,个性胆小怕事的陈文俊只能答应下来。就这样,陈文俊和张定其开始了对案件的追查,在神探的暗中帮助下,他们最终将罪犯捉拿归案,陈文俊和乔娜亦有情人终成眷属。
1977年,一档深夜脱口秀节目《夜猫子》的主持人杰克在面对不断下滑的收视压力下,决定在万圣节夜推出一期特别节目,为了吸引观众,他与制作人不断挑战禁忌,邀请了能与亡者对话的灵媒、超自然心理学家等众多吸睛嘉宾,并企图在节目现场将一名被附身的女孩体内的恶魔召唤出来,一档轻松愉快的深夜节目很快就变成了梦魇。
这部公路喜剧,安妮在人生的交叉路上,在长期备受冷落的婚姻关系里,她意外与丈夫商业上的伙伴踏上公路之旅,7小时的旅程成为2天的心灵洗礼,她在过程中重新体会人生该追逐的方向,重新找到生活意义的故事。
富商段宇宸(姜皓文 饰)因为意外失忆,踏上了一段追寻真相的旅程,却在途中揭出被隐藏多年的秘密。在这个故事中,姜皓文同时饰演段宇宸及另一角色魏星,让人期待他如何展现这两个不同的人生……
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
查尔顿·赫斯顿,索菲娅·罗兰,雷夫·瓦朗,吉内瓦维·佩吉,约翰·弗拉瑟,加里·雷蒙德,赫德·哈特菲尔德,马西姆·塞拉托,弗兰克·思林,迈克尔·霍尔德恩,安德鲁·克鲁克香克,道格拉斯·威尔默,托里奥·卡米纳提,拉尔夫·杜鲁门,Christopher Rhodes,卡洛·朱斯蒂尼,福斯托·托齐,芭芭拉·埃弗里斯特,尼里奥·贝尔纳迪,赫伯特·罗姆,欧米洛·康帕纳,Antonio Mayans,保罗·穆勒,保罗·纳什,欧露莎尔芭·奈丽,维尔吉里奥·特谢拉
玛格·马丁戴尔,沙尔托·科普雷,理查德·詹金斯,约翰·卡拉辛斯基,安娜·肯德里克,兰道尔·朴,阿什利·戴克,伊莎贝拉·孔斯汀,迪迪·柯斯汀,乔许·葛洛班,查理·戴,玛丽·凯·普莱斯
威尔逊·贝索尔,琳娜·埃斯科,乔希·佩克
片平渚,芦田爱菜,南泽奈央,户次重幸,武井咲,冈本梓,中山优马,向井理,木村文乃,半海一晃,稻垣吾郎
马特·波莫,詹森·阿克斯,达伦·克里斯,梅格·唐纳利,斯坦娜·卡蒂克,吉米·辛普森,扎克瑞·昆图,乔纳森·亚当斯,艾克·阿玛迪,吉奥弗瑞·阿伦德,扎克·卡利森,亚历山德拉·达达里奥,阿拉斯泰尔·邓肯,艾托·艾桑多,Cynthia Hamidi,阿尔迪斯·霍吉,石井恵梨香,大卫·卡耶,阿什莉·拉特罗普,马特·兰特尔